CHAP. 7. (7.)—THE COMBATS OF ELEPHANTS.
There is a famous combat mentioned of a Roman with an
elephant, when Hannibal compelled our prisoners to fight
against each other. The one who had survived all the others
he placed before an elephant, and promised him his life if he
should slay it; upon which the man advanced alone into the
arena, and, to the great regret of the Carthaginians, succeeded
in doing so.[1] Hannibal, however, thinking that the news of
this victory might cause a feeling of contempt for these animals, sent some horsemen to kill the man on his way home.
In our battles with Pyrrhus it was found, on making trial,
that it was extremely easy to cut off the trunks of these animals.[2] Fenestella informs us, that they fought at Rome in
the Circus for the first time during the curule ædileship
of Claudius Pulcher, in the consulship of M. Antonius and A.
Postumius, in the year of the City 655; and that twenty years
afterwards, during the curule ædileship of the Luculli, they
were set to fight against bulls. In the second consulship[3] of
Pompeius, at the dedication of the temple of Venus Victrix,[4]
twenty elephants, or, as some say, seventeen, fought in the
Circus against a number of Gætulians, who attacked them with
javelins. One of these animals fought in a most astonishing
manner; being pierced through the feet, it dragged itself on
its knees towards the troop, and seizing their bucklers, tossed
them aloft into the air: and as they came to the ground they
greatly amused the spectators, for they whirled round and
round in the air, just as if they had been thrown up with a
certain degree of skill,[5] and not by the frantic fury of a wild
beast. Another very wonderful circumstauce happened; an
elephant was killed by a single blow. The weapon pierced
the animal below the eye, and entered the vital part of the
head. The elephants attempted, too, by their united efforts, to
break down the enclosure, not without great confusion among
the people who surrounded the iron gratings.[6] It was in consequence of this circumstance, that Cæsar, the Dictator, when
he was afterwards about to exhibit a similar spectacle, had the
arena surrounded with trenches[7] of water, which were lately
filled up by the Emperor Nero,[8] when he added the seats for
the equestrian order.[9] When, however, the elephants in the
exhibition given by Pompeius had lost all hopes of escaping,
they implored the compassion of the multitude by attitudes
which surpass all description, and with a kind of lamentation
bewailed their unhappy fate. So greatly were the people
affected by the scene, that, forgetting the general altogether,
and the munificence which had been at such pains to do them
honour, the whole assembly rose up in tears, and showered
curses on Pompeius, of which he soon afterwards became the
victim. They fought also in the third consulship of the Dic-
tator Cæsar, twenty of them against five hundred foot soldiers.[10]
On another occasion twenty elephants, carrying towers,[11] and
each defended by sixty men, were opposed to the same number
of foot soldiers as before, and an equal number of horsemen.
Afterwards, under the Emperors Claudius and Nero, the last
exploit[12] that the gladiators performed was fighting singlehanded[13] with elephants.
The elephant is said to display such a merciful disposition
towards animals that are weaker than itself, that, when it
finds itself in a flock of sheep, it will remove with its trunk[14]
those that are in the way, lest it should unintentionally
trample upon them.[15] They will never do any mischief except
when provoked, and they are of a disposition so sociable, that
they always move about in herds, no animal being less fond of
a solitary life. When surrounded by a troop of horsemen,
they place in the centre of the herd those that are weak,
weary, or wounded, and then take the front rank each in its
turn, just as though they acted under command and in accordance with discipline. When taken captive, they are very
speedily tamed, by being fed on the juices of barley.[16]
1. Val. Maximus, B. ix. c. 2, gives an account of the brutality of Hannibal on this occasion, in forcing the Roman captives to fight against each
other, until only one was left; but he does not make mention of the combat with the elephant.—B.
2. Florus, B. i. c. 18, states, that this was practised in the later engagements with Pyrrhus, and that by these means the elephants were either
destroyed or rendered useless. Cuvier remarks, that the trunk is composed
of small muscles and fatty matter, enveloped by a tendinous membrane, and
covered with skin.—B.
3. A.U.C. 678.—B.
4. "Venus the Conqueror." This temple was dedicated by Pompey,
after his conquests in the East, in his second consulship, B.C. 55.
5. Pliny here refers to an art, practised among the Romans, of throwing
up a shield into the air, in such a manner that, after performing a circuit,
it would fall down on a certain spot; this trick is also alluded to by Martial, B. ix. Ep. 39.—B. The exercise with the boomerang, which was known
to the ancient Assyrians, and has been borrowed in modern times from
the people of Australasia, seems to have been somewhat similar to this.
6. "Clathri." These were gratings of iron trellis-work, placed in front
of the lowest row of the spectators, to protect them from the wild beasts.
This exhibition took place in Pompey's Amphitheatre, in the Campus Mar-
tius. The arena of the amphitheatre was mostly surrounded by a wall,
distinguished by the name of "podium," which was generally about eighteen
feet in height, and the top of which was protected by this trellis-work. In
the present instance, however, the "podium" can hardly have been so much
as eighteen feet in height.
7. "Euripis." Julius Cæsar caused a canal, ten feet wide, to be formed
in the Circus Maximus, around the bottom of the "podium," to protect the
spectators from the wild beasts. These "euripi" probably took their
name from the narrow channel so called, which lay between Bœotia and
the island of Eubœa.
8. We learn, however, from Lampridius, in his Life of Heliogabalus,
that this euripus was afterwards restored to the Circus.
9. Tacitus and Suetonius mention this separation of the equites from
the rest of the spectators: it took place A.U.C. 816.—B. Up to the time
of Augustus, A.U.C. 758, the senators, equites, and people sat indiscriminately
in the Circus; but that emperor, and after him Claudius, Nero, and Domitian, separated the senators and the equites from the commons.
10. There are coins which bear the figure of an elephant and the word
Cæsar, probably struck in commemoration of these games.—B.
11. The practice of placing towers filled with soldiers on the backs of the
elephants is alluded to by Lucretius, B. v. 1. 1301, and by Juvenal, Sat.
xii. 1. 110.—B. It still prevails in India.
12. "Consummatione gladiatorum." There is some doubt about the exact
meaning of this. It may mean, "at the conclusion of the gladiatorial
games," as exhibited; or, what is more probable, "as the crowning exploit
of the gladiators," who wished thereby to secure their manumission, which
was granted after remarkable feats of valour. Cælius Rhodiginus, B. xi.
c. 11, prefers this last meaning: Dalechamps, with whom Ajasson coincides,
the first.
13. "Postea singulis." Those who coincide with Dalechamps and Ajasson, as to the meaning, would read it, that at the end of the gladiatorial
games, the elephants fought singly one against another, the gladiators
having retired from the arena.
14. Pliny here uses the word "manu," "hand," which although, as he
afterwards remarks, it may not be an inappropriate metaphor, could scarcely
be admitted in our language.—B.
15. This trait has been observed in all ages; the elephant has been known
to remove with its trunk a child lying in its way, and in danger of being
injured. It appears to have an instinctive dread of trampling on a living
animal; the same has also been observed in the horse.—B.
16. "Hordeo succo;" the exact meaning has been the subject of much
discussion; it probably refers to some preparation of barley used by the
ancients, perhaps a maceration of the corn in water; it is scarcely to be
supposed, however, that the words are to be taken literally.—B.